These were the MA theses inspired by our course of Fantastic and Fantasy in Children’s and Young Adult Literature, supervised by conf.dr. Adrian Oțoiu
Also check out the other lists of past theses: on Fairy Tales, on Animal Tales, on Minority and on Crossover Fiction.
| Year | Student | Title | Link |
| 2012 | Babici Andrei | In the MInd of the Modern Creator of Fiction: J.R.R. Tolkien | BA |
| 2013 | Roxana Weisz Petrovan | The Sparky Gentle Giant: Understanding and Defending Roald Dahl | cover |
| 2013 | Daniel Ferne | The Stone Table Sacrifice As The turning point in The Chronicles of Narnia | |
| 2013 | Cosmin Pop | Theological Symbolism in The Lion, the Witch and the Wardrobe by C.S. Lewis | |
| 2014 | Adelina Oros | Identity, the Double, and the Other Mother in Coraline by Neil Gaiman | cover |
| 2015 | Maria Marchiș Lendel | The World of David Walliams. Children Redeemed by Humour and Grotesque. | cover |
| 2015 | Georgie Peter | Roald Dahl and the Writing Factory. Tremendous Ways of Keeping Children Fascinated | cover |
| 2015 | Maria Drimuș | Joc, subiectivitate și trădare. Traducerile în română ale BFG de Roald Dahl. | BA |
| 2015 | Daniela Ember | Remote Children [in Five Children and It and Mary Poppins] | |
| 2019 | Diana Semeniuc Țifrac | Thirteen Papery Layers. Irony, Metafiction, Incongruity, in Lemony Snicket’s A Series of Unfortunate Events | |
| 2020 | Selena Acqui | Ekphrasis Undone: A Visual Journey in Ransom Riggs’ Miss Peregrine’s Home for Peculiar Children | cover |
| 2020 | Mariana Oros | Katherine Arden’s Winternight Trilogy | |
| 2021 | Petre Țiplea | George MacDonald and the Journey to Reconversion in “The Princess and Curdie ” | |
| 2022 | Anca Muscali Șmuleac | Guiding the Act of Imagination in George McDonald’s The Princess and the Goblin | |
| 2022 | Iulia Șanta Marchiș | Formula magică din spatele traducerii. O analiză pe Witches de Rolad Dahl. | |
| 2021 | Demeter Timea | Strong Women and I. Dracula and As I Darken Trilogy. | |
| 2022 | Irina Bankoș (Pop) | Brave Characters and Magic in Colin Meloy’s Wildwood | |
| 2022 | Emanuela Negru | Innocence Changed into Experience in Philip Pullman’s His Dark Materials | |
| 2023 | Petre Țiplea | George MacDonald and the Journey to Reconversion in The Princess and Curdie | |
| 2024 | Eduard Bohonyi | Divine Echoes and Blood in Tides: Wandering through the fictional landscape of Wicked Saints by Emily A. Duncan | |
| 2024 | Gabriel Ardelean | From Escapism to Para-escapism in Fantasy Literature | |
| 2024 | Dragoș Ionuț Bora | Alterations of Fantasy in M is for Magic by Neil Gaiman | |
| 2024 | Ulici Anda | The Differences between Fantasy an Science Fiction from Harry Potter to Doctor Strange (with Dr H. Nașcu) | |
| 2025 | Dragoș Chiș | The Teachings of Fear. Horror and Children’s Literature. | |
| 2025 | Adriana Apati | Mythopoesis and Engineering in His Dark Materials by Philip Pullman. | |
| 2026 | Sara Velea | The Monsters Among Us: How Monsters Depict Fear And Reflect Morality In Miss Peregrine’s Home For Peculiar Children | cover |
Also check out the other lists of past theses: on Fairy Tales, on Animal Tales, on Minority and on Crossover Fiction.